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When I'm Excellent, I'm Pretty Nice: Natural Born Losers 10th EditionReleased this week in 2015, Nicole Dollanganger's five song examines Southwestern goth tradition, disordered eating, and aggressive sex, in brilliant storytelling and an electric production that placed her tormented pop in conversation with a then-nascent punk-shoegaze revival.Copy Link: hairy armpits xxx Social X Reddit Bluesky

You might think of books like the Twilight story and the sixteen Fairly Little Liars writings when you think of young women's poetry. The first produced one of ABC Family's most enduring 21st-century teenager plays. They have some incident to them, but their mistakes pale in comparison to V. C. Andrews ' second Dollanganger fiction, Plants in the Attic. Andrews ' 1979 album tells the story of a community in collapse, which was described as "deranged following" in a contemporary Guardian review. Both line are prosperous scriptures that feature youthful ladies who are struggling to understand tricks and people who are at best of no help.

Christopher and Corrine Dollanganger are the perfect parents to their four kids ( Chris, Cathy, Carrie, and Cory ) in verdant Pennsylvania until Christopher dies in a car wreck, leaving Corrine and the kids penniless and desperate. It's a revolting fiction that uses the now scandalous chosen tropes of the Southern Gothic to make way for something that reads like a pulp novel. Corrine visits her former apartment in Virginia to try to regain her family's favor after he disapproved of her matrimony. What turns into a temporary agreement turns into three years of confinement, laced with hunger, killing, and adultery between teen siblings that may not have been lawful, immediately. Corrine's spiritual fanatic family hides the children in a spare room with roof entry because Corinne's father must not be aware of their existence because the sprawling Foxworth Hall manor's sprawling mother has no access to them.

It's a harrowing tale of younger people in changeover who are haunted by the desiccated, harsh method their mom came from, with the spectre of forbidden lords who nearly implore Chris and Cathy to crack all the rules, which is why it works so well with younger audiences. It's no coincidence that Nicole Bell, the Toronto singer-songwriter and visual artist who records under the name Nicole Dollanganger, owned two collectible copies of Flowers in the Attic. Their world is one in which teenagers make better caregivers for themselves and their siblings while adults are spiteful sinners. Bell's inspiration for his work is an appreciation of these tales as fantasies as well as a contrast between them and the grimier and less predictable realities of the world as we have it today. Like Andrews, Bell's writings are seeped in backwoods figures who embrace each other but aren't supposed to, inflicting harm upon themselves just as often as they give and receive love. When those who establish the rules are the most craven, transgressive desires don't look so bad. It's romantic and grotesque. Cathy and Chris break all the rules for each other and the good of their siblings, and even when the adults break all the rules to destroy them, they remain as resolute as possible.

Natural Born Losers, Nicole Dollangangers ' first studio album, ranks fifth overall in terms of gross romance. Without Dollanganger's first film, Slow, Cinematic Pop from the likes of Ethel Cain and Midwife, who have amassed cult followings over the past five years, wouldn't be as legible to these audiences. At ten years old, Natural Born Losers still feels as immediate and progressive as it did when it was first released. She pondered on the carnal, the gory, and the fringes of the youth experience with particular attention to the literary and cinematic figures she valued dearly. One might have compared KatieJane Garside's acting in Lalleshwari, Gregory and The Hawk, but Dollanganger's lyrical ties to Southern gothic culture, disordered eating, and violent sex make those comparisons mostly aesthetic. The previous four Dollanganger albums were homemade, minimalist songwriting exercises designed to support her uncanny soprano. With more compelling storytelling and an electrifying production, Natural Born Losers amplified her voice, which proved to be the perfect vehicle for her innocent yet resounding voice.

However, Nicole Dollanganger's star started well before Natural Born Losers did. Her antique dolls, decorative guns, and rare editions of Flowers in the Attic are aesthetic statements that should resonate with anyone who spent their teenage years scrolling through the parts of Tumblr less concerned with Doctor Who or Supernatural and more concerned with profound adolescent melancholy. She had the opportunity to mingle with fans of vintage photography, confessional poetry, and horror films who pleaded with one another for a media-oriented community where people had interests that were mutually exclusive.